For Sale
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Portrait of a Lady in Red Dress on Porch c.1680
Circle of William Wissing (c.1656-1687) This picture formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until its recent sale, the first in 294 years. This portrait hung in the Grand Hall. |
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Portrait of a Lady Diana Cecil, Countess of Elgin c.1638
Attributed to Theodore Russel (1614-1689) This picture formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys, at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until recently. This painting hung in The Great Hall (see photo). |
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Portrait of a Gentleman in Armour, Thomas Bruce, Earl of Elgin c.1638
Attributed to Theodore Russel (1614-1689) This picture formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys, at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until recently. This painting hung in The Great Hall (see photo). |
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Portrait of Anne, Lady Tipping, née Cheke (1678-1727) c.1705
Circle of Sir Godfrey Kneller (1646-1723) This picture formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys, at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until recently, the first in 294 years. The painting hung in The Saloon (see photograph) |
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Portrait of Maria Virginia Borghese Chigi, Princess Farnese c.1663-78
Studio of Jacob Ferdinand Voet (c. 1639-1700) This exquisite portrait belongs to a type of portrait known as ‘Les Belle Romanes’. Voet is perhaps best remembered for his series of them – a great set of portraits of the most enchanting women of Rome |
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Portrait of Marie-Madeleine de Chamillart c.1720
Studio of Robert Levrac-Tournières (1667-1752) This work formed part of the collection of paintings and family heirlooms of Baron Hugues Alfred Frèdéric de Cabrol de Moute (1909-1997) and his wife, Baroness Marguerite (née d’Harcourt) de Cabrol de Moute (1915-2011). Together they were one of the most prominent high-society couples of the twentieth century and counted the Duke of Duchess of Windsor amongst their closest friends |
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Figures in a Flower Garland, 17th Century
Jan Anton van der Baren (c.1615–1686) Indistinctly signed and dated This highly refined flower garland painting is a shining example of the Flemish Baroque and is a very rare object, considering there are only 14 paintings accepted as authentic works by this artist. |
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Portrait of Grace Saunderson, Viscountess Castleton (1635-1667) c.1665-67
Sir Peter Lely and Studio (1618-1680) This work formed part of a collection of family pictures and heirlooms of the Saunderson, Viscount Castleton family and their descendants, the Earls of Scarbrough, at their magnificent family seat Sandbeck Park, where the Earls still reside today almost four hundred years later. |
